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The Tulsa Voice
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March-A 2017
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March-A 2017
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Music is she
A female-led music festival is born
Amanda Ruyle
You can’t get high around kids
The rise of comedian Michael Zampino
Mitch Gilliam
Bracketmania
How to host your own March Madness Pool
John Tranchina
Down the Hatch: Bitter truth
Balancing cocktails one dash at a time
Liz Blood
Ulterior motives
‘Get Out’ is a deliciously effective satire of race in America
Jeff Huston
Hosting women
The newest battle over women’s bodies
Barry Friedman
Bad presidents make for good music
Tom Morello talks Woody Guthrie, public enemies, and ‘Old Man Trump’
Ty Clark
Glory bound
Independent bookstore is a treasure of tattered tomes and assorted curios
Kathryn Parkman
The Yankee from Chelsea
John Wooley gives ‘Right Down the Middle’ the upper hand
Zack Reeves
Awesome wonder
‘The Red Turtle’ is a beautiful respite from the family pandering of most animation
Joe O’Shansky
Energy battles
Oklahoma’s wind subsidies are dwarfed by subsidies to the oil and gas industry
David Blatt
Lady behind the curtain
Through Tulsa FMAC, Abby Kurin works to connect and promote Tulsa creatives
Liz Blood
Effects of the travel ban
Three Tulsans on what it means to them
Fraser Kastner
Memory and imagination
A time-bending performance from Bridgman|Packer Dance leads the 2017 New Genre Arts Festival
Alicia Chesser
The life and death of a record store
Holy Mountain Records closes as two new vinyl shops come to town
Mitch Gilliam
Dueling ramen
The highs and lows of downtown’s new ramen shops
Angela Evans
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